Maya Ober

Futuress’s editors reflect on the feminist politics of carrying stories across affective, geographical, and linguistic borders.

Farah Hallaba on bridging academia and community through participatory research.

On April 19, 2024, Futuress co-director Maya Ober shared some behind-the-scenes of Futuress within the Type Electives [https://futuress.us17.list-manage.com/track/click?u=c6aa2d13eba1beab1d5d1bceb&id=456788b561&

October 2023 was all about the long-awaited and fantabulous in-person event etceteras— feminist festival of design and publishing [https://futuress.us17.list-manage.com/track/click?u=c6aa2d13eba1beab1d5d1bceb&id=dfb36b846f&

Life throws curveballs, and Futuress’ financial struggles and the recession have also impacted our team members, who freelance for Futuress, alongside juggling their other jobs and family commitments. With a

How Argentina’s 35th Plurinational Meeting of Women, Lesbians, Trans, Travesti, Intersex, Bisexual, and Non-Binary shapes feminisms in 2022.

“Cooking with Stories” [https://www.e-flux.com/architecture/critical-cooking-show/358117/cooking-with-stories/] by Mayar El-Bakry, Maya Ober, and Romi Lee explores the tales, traditions, and rituals behind anonymously designed cooking tools.

The Void [https://futuress.org/stories/the-void/] by Maya Ober has been republished by The Funambulist [https://futuress.us17.list-manage.com/track/click?u=c6aa2d13eba1beab1d5d1bceb&id=298101bfe5&e=

A conversation about the Swedish Master program critically addressing visual standards and promoting “norm creativity.”

Field notes from La Entrega Final, or how feminist activism plays itself in the Chair of Design and Gender Studies at FADU, Buenos Aires.

At the beginning of 2021, our co-founding editors Eliot Gisel [http://corinnegisel.com/] and Madeleine Morley [https://madeleinemorley.cargo.site/] left Futuress to work on new initiatives—we thank them